Text

MODE


Sara Cwynar
Andrei Koschmieder
Suzanne Mooney
Borna Sammak

1 November 2013 to 21 December 2013

Mode, 2013, installation view, Foxy Production, New York
Mode, 2013, installation view, Foxy Production, New York
Mode, 2013, installation view, Foxy Production, New York
Mode, 2013, installation view, Foxy Production, New York
Mode, 2013, installation view, Foxy Production, New York
Mode, 2013, installation view, Foxy Production, New York
Mode, 2013, installation view, Foxy Production, New York
Suzanne Mooney, Display Systems No.35, 2011, archival giclee print, mounted on aluminum, framed: 12 × 12 in.
Suzanne Mooney, The Edge of Collapse No.91, 2012, archival giclee print, mounted on aluminum, framed: 17 × 25 in.
Suzanne Mooney, The Edge of Collapse No.138, 2012, archival giclee print, mounted on aluminum, framed: 14 × 12 in.
Andrei Koschmieder, Untitled (Squid Screen), 2013, wood, mulberry paper, squid ink, silk, inkjet dye, 61 × 36 in.
Andrei Koschmieder, Untitled (Squid Screen), 2013 (detail.)
Suzanne Mooney, Verging on the Absurd No.66, 2013, archival giclee print, mounted on aluminum, framed: 21 × 14 in.
Sara Cwynar, Gold - NYT April 22, 1979 (Alphabet Stickers), 2013, chromogenic print, 30 × 40 in.
Borna Sammak, Untitled, 2013, Roofie's grip tape, framed, 33 × 11 × 2 in.
Borna Sammak, Lumpiny C, 2012, cell phone photo, framed, 22 × 17 × 13 in.
Borna Sammak, Long Boy, 2013, Mob Griptape, framed: 51 × 31 × 2 in.
Borna Sammak, Long Boy, 2013 (detail.)
Sara Cwynar, Corinthian Temple (Plastic Cups), 2013, chromogenic print on metallic paper mounted to Plexiglas, 30 × 24 in.

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